This originally appeared as part of Zoom In Online's weekly "I'd Really Like to See..." blog series.
Editor's Note: This blog contains SPOILERS about the "Watchmen" comic and film.
If you know me and/or follow this feature on the site, you should be well aware that I’m a pretty big comic book geek. It only seems inevitable that I should have something to say about this week’s adaptation of Alan Moore’s "Watchmen." Now I wouldn’t say that the book introduced me to comics or changed the way I look at them, and I may not even consider "Watchmen" my favorite thing by Alan Moore (seriously, check out his work on "Swamp Thing"), but it’s an absolute masterpiece no matter whether you're judging it as a graphic novel or standard novel (it's still one of the few graphic novels to be included on Time Magazine's Top 100 Novels of All Time).
Moore managed to add a level of maturity and moral complexity to superheroes that was not close to being matched until about 20 years later and he did it all while simultaneously incorporating the Golden and Silver Ages of comics and showing us how the medium has evolved in the Modern Age.
For the uninitiated, "Watchmen" follows a group of former masked vigilantes in an alternate version of our own reality (one which sees the recently re-elected Richard Nixon serving his third term as president in 1985). When one of their own is murdered, the heroes' investigation into the motives behind his death and a suspected plot to rid the world of all of the former avengers uncovers a conspiracy with much larger ramifications. That said, the novel takes full advantage of the comic medium and is a perfectly singular, self-contained work. In addition to the main story, Moore includes “source material” (articles and books written by or about characters in the universe) at the end of each chapter and the comic-within-a-comic "Tales from the Black Freighter" to add further layers to the story, characterization, and general themes of the piece. As one can imagine, these extra quirks to the book along with the generally massive scope of the story can make the film difficult to adapt from page to screen.
Last night I was walking from the subway to my apartment in Brooklyn, something I obviously do every night and have done every night for over a year now. I had my phone out and was 'Tweeting' as the kids call it, and this car cop is driving alongside me as does the 'beep beep' thing. You know, not the actual horn, but when they have the mini-siren kind of sound. Not sure if that makes any sense, but it was that.
